Soul Serenade: Danny White, “Can’t Do Nothing Without You”

Danny WhiteFor every musician who becomes a household name, there are hundreds, probably even thousands who toil in clubs for many years, getting a whiff of success every now and then but never quite climbing that ladder to the top rung. At some point they must realize that they are never going to get there and yet, they toil on, maybe because they love music or maybe because it’s the only thing they know.

Danny White was born and raised in New Orleans. After serving in the Army in California he returned to the Crescent City and began his music career with a band called the Cavaliers who played at clubs like the Golden Cadillac and the Sho Bar. It was there that White was spotted by the legendary Huey “Piano” Smith who helped White get a deal with Ace Records. White recorded several singles for the label but none of them got much attention. During this time White also made a quickly forgotten single for Dot Records.

White didn’t give up, however, and before long he met a woman named Connie LaRocca who had started a label called Frisco. LaRocca’s A&R man was Al Reed and Reed had written a song called “Kiss Tomorrow Goodbye.” White went into the studio with another legendary New Orleans musician, producer Wardell Quezergue, to record Reed’s song. The resulting single was a hit throughout the Gulf Coast and even though White tried hard to replicate the success of the single with tracks like “Loan Me a Handkerchief” and “Love is a Way of Life” he never seemed to be able to match that first Frisco single.

Danny White - "Can't Do Nothing Without You"At that point, looking for something to spur White’s career, LaRocca thought that the answer might be found in Memphis. It was there that White hooked up with the dynamic production team of Isaac Hayes and David Porter to record a gem of a ballad called “Can’t Do Nothing Without You.” Sadly, the single didn’t score and neither did a follow-up called “Note on the Table.” When Frisco shut down, White stayed in Memphis and signed with Stax so that he could continue to work with Hayes and Porter. The team recorded another powerful single, “Keep My Woman Home” b/w “I’m Dedicating My Life.” Among the backing musicians was guitarist Steve Cropper but large scale success continued to be elusive.

White’s moved on to record with producer Bowlegs Miller and their collaborations featured the Hi Records rhythm section as well as the Memphis Horns. Singles from that period included “Cracked Up Over You,” Don Bryant’s “You Can’t Keep A Good Man Down,” and “Taking Inventory,” which was written by Eddie Floyd.

The provenance of the next White recordings remains unclear. The productions are credited to the New Orleans team of Marshall Seahorn and Allen Toussaint but it’s quite possible that tracks like “Natural Soul Brother” and “One Way Love Affair” were leftovers from the Bowlegs Miller sessions since the sound of those records is quite similar.

Despite the renown of the producers that White worked with and the quality of those recordings, White never quite managed to break through. He finished his recording career with a single for Kashe Records, “King For a Day,” b/w “Never Like This.” White was done as a performer by the end of the 1960s although he stayed in the game by becoming the manager of the Meters at the start of their career. But by the early 1970s, White quit the music business altogether and moved to Washington, D.C. He died in 1996 and although he never became a household name many of his recordings are treasured by soul music aficionados.

Soul Serenade: Lloyd Price, “Personality”

Lloyd PriceIn the last couple of years, we have had powerful returns to form from classic soul men William Bell and Don Bryant. Now we can add Lloyd Price, whose new album This is Rock and Roll will be released on September 22, to that list. In honor of the occasion, I thought I would take a look at one of Lloyd’s greatest hits this week.
Price was born on the outskirts of New Orleans and got his start singing and playing piano and trumpet in his church’s gospel choir. He got his big break when Art Rupe came to town in 1952. Rupe owned the Los Angeles-based Specialty Records. He got word that something was happening in the Crescent City and when he arrived there he found that Lloyd Price was very much a part of what was happening.

Price had a song called “Lawdy Miss Clawdy” that Rupe thought would be a hit. He hired ace arranger Dave Bartholomew to work on the record and Bartholomew’s band was there too, a band that included Fats Domino on piano. As it turned out, Rupe was right. “Lawdy Miss Clawdy” was a smash. The follow-up, “Ooh, Ooh, Ooh” didn’t do quite as well and subsequent Specialty singles failed to chart.

In 1954, Price was drafted. When he got out the service he found out that he had been replaced at Specialty by Little Richard. To add insult to injury, Larry Williams, who had been Price’s chauffeur, was having hits for the label. That door closed, Price used the opportunity to start KRC Records along with Harold Logan and Bill Bosken. When the label’s first single, “Just Because,” was picked up by ABC Records for distribution it became a hit. It was the first of several national hits that Price had for the label. “Just Because” was followed by “Stagger Lee,” and “Personality.”

“Personality” was written by Price and Logan and recorded in 1959. The ABC-Paramount single reached #2 on Billboard Hot 100 that year and also climbed to the top of the R&B chart and remained there for four weeks. Billboard named “Personality” the #3 song of the entire year. “I’m Gonna Get Married” was another Top 10 hit for Price in that era. The hits led to Price television appearances on Dick Clark’s American Bandstand and the Ed Sullivan Show.

In 1962, Price founded another label with Logan, this one called Double L Records. One of the labels earliest signings was Wilson Pickett. Seven years later, Logan was murdered. Price, on his own, started a label called Turntable and opened a club in New York with the same name. Price proved to be an astute businessman. In addition to the club, he became a builder, erecting 42 townhouses in the Bronx, and promoting fights with Don King including the Ali-Foreman “Rumble in the Jungle” in 1974.

Price was not done with music, however. In 1993, he toured Europe with Jerry Lee Lewis, Little Richard, and Gary U.S. Bond. More recently, in 2005, there was the “Four Kings of Rhythm & Blues” tour which featured Price along with Jerry Butler, Gene Chandler, and Ben E. King.

Lloyd Price

And that brings us to the new Lloyd Price album, This is Rock and Roll. The album is a winning combination of new Price songs including “I’m Getting Over You,” “The Smoke,” and the funky social commentary of “Nobody Loves Anybody Anymore.” When Price turns to covers of classics like “Blueberry Hill,” “I Can’t Help Myself,” and Jimmy Reed’s “Peepin’ and Hidin’” (recorded live in New York City) he brings his own unique twist to the old chestnuts. He is at his best, however, on an emotional cover of Carole King’s “Will You Still Love Me Tomorrow.”

This is Rock and Roll was recorded primarily at City Lights Studios in Farmingdale, New Jersey with studio owner Guy Daniels producing. The sessions yielded 27 songs and Price chose the ten that he felt sounded like “a reflection of the past but still right now.”

Lloyd Price was inducted into the Rock and Roll Hall of Fame in 1998, and the Louisiana Music Hall of Fame in 2010. The new album will be available digitally tomorrow at iTunes, and Amazon. The CD can be purchased at Price’s website.